Notes from the press at Blacks For Sale — short editorial pieces on paper, ink, and the single hue.
Filtering by typography · Clear
Chapter rails, running folios, and the scroll-as-page-turn.
A page number is not a page number — it is the reader’s grip on the spine, the only gesture that survives the migration from sheet to screen. Notes on chapter rails, running folios, and what BFS’s chrome makes of the page-turn.
Read the pieceNotes on a single hue.
Black is not the absence of colour — it is the presence of a decision already made. Notes from the press on what a monochromatic catalogue actually demands of paper, ink, and the italic.
Read the pieceOn halation, the dim accent, and the case against pure white.
Pure white on pure black is a screen test, not a register. Notes from the proofing table on what a high-contrast page costs the eye over forty minutes — and the two whites we use instead.
Read the pieceWhen each register works, and what the wrong choice costs the page.
Lining figures sit upright on the baseline. Oldstyle figures rise and fall like lowercase letters. Notes on which register belongs in running prose, which belongs in the colophon, and what happens when a press picks wrong.
Read the pieceOn marginalia, hairlines, and the § corr. mark.
A clean page is not an empty page — it is a margin set wide enough to hold an editor’s correction without crowding the line. Notes on hairlines, gutters, and the mark that says we read this.
Read the piece