The typography of black.
Notes on a single hue.
Black is not the absence of colour — it is the presence of a decision already made. Notes from the press on what a monochromatic catalogue actually demands of paper, ink, and the italic.
Read the pieceNotes from the press at Blacks For Sale — short editorial pieces on paper, ink, and the single hue.
Filtering by press notes · Clear
Letterforms in low light.
On halation, the dim accent, and the case against pure white.
Pure white on pure black is a screen test, not a register. Notes from the proofing table on what a high-contrast page costs the eye over forty minutes — and the two whites we use instead.
Read the piecePaper that resists journalism.
On density, uncoated stocks, and the silence of a dense sheet.
Newsprint is a confession. Notes on stock weight, opacity, and the case for paper that absorbs without commenting — including why the deckle is a romance we no longer keep.
Read the pieceThe grammar of blackest black.
On pigment, surface, and the figures nobody owes you.
Vantablack absorbs 99.965% of incident light. We mention the figure not because it matters, but because the chase for it does. Notes from the press on Outrenoir, Mars, and the third pull.
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